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When Homecoming first came out, I wrote about my love for the version of Spider-Man we got, noting:įor the longest time, Spider-Man felt stale and the stand-alone movies didn’t feel like they were doing any justice to his character. Tom Holland was the quintessential Peter Parker, and brought a rediscovered energy with him to the franchise. This wasn’t the charming Peter Parker from the Amazing Spider-Man movies, played by Andrew Garfield, and this wasn’t the much older version played by Tobey Maguire in the original Spider-Man movies. Homecoming brought back the awkward teenage Peter Parker we fell in love with in the comic books, but somehow lost along the way in film. 2017 was the year superhero movies remembered how silly their core concepts are, and directors played around with that self-realization. Homecoming isn’t just a good superhero movie, it’s one of the most fun.
#TEEN MOVIES FROM 2017 MOVIE#
Spider-Man: Homecoming felt more like a teen movie at times than it did a superhero romp, and that’s what makes it the best superhero movie of 2017. In the piece, I wrote:įor the first time since superhero movies started becoming a cultural phenomenon, Homecoming ushered in a refreshing age of normalcy within a genre where normalcy is the enemy. Chuck Zlotnick/Sony Pictures Spider-Man: HomecomingĪ week ago I called Spider-Man: Homecoming my favorite superhero movie of 2017. He is one of my favorite comedians, and I’m excited that he’s now one of my favorite directors. While Get Out is far from a comedy, I’m glad Peele’s not-so-subtle masterpiece is getting attention. Get Out is nominated for two Golden Globes, including Best Comedy. (The scene in which we discover that Chris, our hero, is up for auction by his girlfriend’s white parents and their friends continues to shock.) Peele plays with the conventions of horror - shrieking strings punctuating characters’ surprise entrances, and slow zoom-outs revealing a villainous plot in the process. There’s no tighter film of 2017, with every scene serving a purpose, every character perfectly defined and every cut or music cue creating a perfect amount of tension. Get Out is searing in its politics, which are remain painfully relevant almost 12 months later but the film is also pure fun. Polygon’s Allegra Frank called Get Out one of her favorite movies this year: Even if people think they live in a post-racism world, Peele reiterates that racism is still alive, and forces the viewer to confront that in a horror movie. Get Out may have been an uncomfortable viewing for some, but it’s because Peele doesn’t shy away from depicting prejudice once it’s out in the open. Peele, a master of comedy, beautifully wove the message of facing prejudices we may hold into the seams of the film, only to focus on the most important message of how dangerous not addressing those beliefs can truly be at the very end of the movie. Get Out wasn’t the only movie that subverted the genre to send a message about racism and politics in 2017, but it was one of the few that didn’t sacrifice entertainment for it. I gabbed about it to anyone who would listen and praised the brilliance of Jordan Peele’s ability to turn a horror movie into the most important movie about racism and prejudice of 2017. I saw Get Out three times in theaters, and it still wasn’t enough. With so many good movies, it’s nearly impossible to narrow down the very best of the year, but here are the 10 films that helped define cinema in 2017.
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Thor: Ragnarok redefined what the franchise looked like in the Marvel Cinematic Universe and Wonder Woman saved the DC Cinematic Universe from, well, itself. Spider-Man: Homecoming, Wonder Woman and Thor: Ragnarok all made a mark on the genre in their own right. There were so many amazing independent movies in 2017 that Marvel and Warner Bros.’ biggest blockbusters felt like a cherry on top. Call Me By Your Name gave us the romantic, queer tale I’ve been waiting years to see and The Big Sick made me fall in love with Emily Gordon and Kumail Nanjiani’s relationship again and again. There was Get Out, the horror movie that subverted everything the genre stood for, and Lady Bird, a coming-of-age story that helped us see what it’s like to raise a teen from a mother’s perspective.
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#TEEN MOVIES FROM 2017 SERIES#
The series will end with Polygon’s Best of TV and Best of Movies pieces.Ģ017 was dominated by independent darlings, many of which surprised me upon release. Each will examine why the author believes that moment to be one of 2017’s most extraordinary. These personal essays will examine the best, most important and weirdest moments that occurred in television, film, streaming and YouTube/Twitch in 2017. Polygon is kicking off its best of entertainment series, which will run through the end of December and beginning of January, coming to a close just before the 2017 Golden Globes.